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the best albums of 2024
The Fopp Report
The results are in! After crunching the numbers and endlessly spinning records, we’ve put together a list of our favourite albums of 2024. You’ll find our top picks, in no particular order, below. Stop by a fopp store and grab a free copy of our annual Fopp Report booklet!
the smile – wall of eyes / cutouts – fopp albums of the year
cassandra jenkins – my light, my destroyer
Cassandra Jenkins’ latest album takes a fresh direction from An Overview On Phenomenal Nature, blending soft, almost spoken vocals with unexpected layers of sound. There’s a distinct jazz influence woven into the basslines, reminiscent of the warmth and fluidity found on Van Morrison’s Astral Weeks, and unlike her earlier works, this album introduces more forceful moments, surprising the listener with bursts of energy that contrast with the familiar, ethereal feel of her music. Spoken word passages flow into ambient soundscapes, creating a shifting rhythm that ebbs and flows without ever pulling you from the album’s atmosphere. Jenkins’ songwriting continues to evolve, and every track offers something new for the listener to uncover, rewarding repeated listens. An Overview On Phenomenal Nature may have established her sound, but this release deepens and expands it in unexpected ways.
alan sparhawk – white roses, my god
Alan Sparhawk’s White Roses, My God marks a poignant return after the tragic loss of his wife and bandmate, Mimi Parker, the project is a profound exploration of grief, where Sparhawk seamlessly intertwines his introspective lyricism with an experimental electronic sound. Each track feels like an intimate reflection, unfolding with sparse instrumentation and fragile melodies that evoke a haunting sense of both isolation and connection. Sparhawk’s voice, stripped of any pretense, carries the weight of loss, yet offers moments of fragile hope and emotional clarity. The raw and deeply personal lyrics confront themes of mourning, vulnerability, and renewal, with Sparhawk unafraid to face his pain head-on, delivering a deeply affecting album that resonates with both emotional depth and sonic innovation. A masterful exploration of sorrow, vulnerability, and healing.
nadine shah – filthy underneath
On her latest album, Nadine embraces a bold sonic shift, putting synths at the forefront and moving away from her guitar-heavy past. This change feels fitting, especially considering her recent turn as a support act for Depeche Mode, whose influence can be heard in her newfound electronic direction. Throughout the record, Nadine’s distinctive voice takes centre stage, imbuing her raw lyrics with emotional weight and honesty. Signing with EMI North for this release marks a significant moment in her career, and the album’s bold production choices underscore her growth as an artist. The interplay between driving synths and vulnerable songwriting creates a compelling listening experience, showcasing Nadine’s unique artistic vision and confirming her as a force to be reckoned with in the UK’s music scene.
nubya garcia – odyssey
Nubya Garcia’s Odyssey is a compelling musical journey that transcends the traditional boundaries of genre. Following the critical success of Source, Garcia’s latest album feels like an artist in full command of her craft. What’s remarkable about Odyssey is the way it blends jazz, R&B, dub, and orchestral arrangements into a cohesive whole, not as a mere fusion of styles, but as an immersive experience. From the propulsive force of The Seer to the smooth neo-soul textures of Set It Free, Garcia’s saxophone leads us through a landscape of sound that is both intimate and expansive and the addition of lush orchestration brings a cinematic quality to the music, heightening its emotional depth. This album not only affirms Garcia’s standing as one of the UK’s leading jazz musicians but also marks a bold step forward in her artistic evolution.
arooj aftab – night reign
on night reign, arooj aftab invites us to succumb to the night, a primordial beckoning challenging us to unshackle the ties that bind us and embody our true selves in the formlessness of the dark. arooj traces her myriad influences with equal parts reverence and rebellion. this includes bold reinterpretations of 18th century urdu poetry, 20th century jazz standards, alternative hip hop, contemporary pop production, and even some yearning auto-tuned vocals. arooj adopts and subverts traditions across centuries, continents, and cultures to craft a borderless sound all of her own. we are treated to odes to the moon, an interrogation of the very meaning of love and acceptance, as well as a hazy drunken night drinking whisky in brooklyn. her voice is strikingly beautiful, the music as intrepid as it is gentle, often leaving room for quiet and even silence to paint a hazy monochrome dreamscape that’s intricately constructed and decadently slow paced. the first pakistani to win a grammy, arooj unapologetically smashes genre and cultural boundaries, while making it look and sound as easy as the cool calm embrace of the night. it’s arooj’s world, we’re just living in it.
nick cave and the bad seeds – wild god
nick cave & the bad seeds’ new album is a powerful exploration of grief, love, and magical genius. throughout wild god (originally rumoured to have been named joy), the songs can be described as almost cinematic, featuring a choir and a symphony of different instruments. the combination of the hymnal nature of these songs and cave’s honest yet emotional voice makes for a gut-wrenchingly beautiful yet devastating album. as we listen through the perfectly curated tracklist, the tension builds as he seems to disappear among the bad seeds, rather than standing apart as he usually does. wild god is full of wonder, whimsy, and storytelling. it represents an attempt to embrace positivity and to fall in love with life and happiness again after his personal battles with grief, and although his grief remains present throughout the album, it feels as if cave is acknowledging it as a part of himself and moving forward. at its core, this record embodies love, painful optimism, and self-aware acceptance.
future islands – people who aren’t there anymore
People Who Aren’t There Anymore brings Future Islands into new emotional territory, crafting an album that’s both introspective and expansive. The band’s signature blend of synth-pop is ever present, but here, it serves as the backdrop for deeper explorations of loss, memory, and the passage of time. On tracks like King of Sweden and The Tower, the music pulses with an understated urgency, while Samuel Herring’s voice—rich, raw, and full of ache—adds layers of feeling. In Give Me the Ghost Back, the weight of absence is palpable, Herring’s vocals aching with a personal resonance that lingers. Far from simply revisiting old ground, People Who Aren’t There Anymore shows how the band has evolved, weaving a cohesive narrative that invites reflection without ever feeling heavy-handed. This is an album that invites listeners to reflect, to feel, and to remember.
english teacher – this is could be texas
This Could Be Texas is the debut album that marks English Teacher as a fresh and engaging presence in the indie scene. It blends sharp, clever lyrics with inventive arrangements, making each track feel distinct and memorable, there’s punchy, riff-driven energy of The World’s Biggest Paving Slab, which delivers biting social commentary, to the poignant, emotional finale in Albert Road, the album navigates a wide spectrum of moods and themes. The sound is playful yet reflective, filled with infectious hooks and insightful commentary that never feels forced, it’s a debut is full of moments that combine light-hearted fun with deeper introspection, offering a unique perspective that stands out in today’s indie music landscape. With This Could Be Texas, English Teacher takes their first step toward becoming a major force in the genre.
geordie greep – the new sound
Geordie Greep, the frontman of Black Midi, ventures into new territory with his solo debut, leaving behind the chaotic punk prog of his band for a smoother, yet still daring sound. This album feels like a wild blend of Steely Dan’s sultriest moments, sprinkled with Latin rhythms and big band flourishes. Greep’s theatrical flair is on full display, spinning tales of ambitious, over-the-top villains chasing power and status, only to find themselves crashing down in spectacular failure, much like a slapstick character in a cartoon. The New Sound brims with swagger, wit, and unexpected turns, as Greep pushes the boundaries of his artistic voice. With sharp, punchy rhythms and vivid storytelling, this release is an exhilarating departure that confirms Greep’s ability to experiment and captivate, making his solo work as unpredictable and intriguing as ever.
mdou moctar – funeral for justice
idles – tangk
Tangk confronts modern masculinity and emotional authenticity with a raw force, opening with jagged, aggressive riffs that immediately pull the listener into a world of relentless energy. Each track is a sonic assault, driven by pulsating beats and distorted guitars that mirror the internal chaos of the human experience. The band’s approach feels intensely personal, tackling the weight of societal expectations and the complexities of vulnerability head-on, there’s a palpable urgency in the music, as if the band is determined to break free from convention and explore the darker, often ignored sides of masculinity. With every song, frontman joe talbot explores both the dissonance and depth of emotions often left unspoken, making it a bold, unapologetic exploration of self.
Richard Hawley – In This City They Call You Love
The northern crooner, Sheffield’s favourite son Richard Hawley, returns with another stunning album, following the success of Standing At The Sky’s Edge. As expected, it’s a lush, romantic collection that showcases his signature blend of melancholic beauty and captivating melodies. His voice, as smooth as ever, is the perfect companion to the sweeping arrangements that complement his poetic lyrics, Hawley invites the listener into his world—one full of bittersweet nostalgia and moments of quiet tenderness. As always, his ability to evoke deep emotion through simple yet powerful melodies is on full display, further cementing his place as one of the UK’s most revered songwriters.
Laura Marling – patterns in repeat
Laura Marling’s Patterns In Repeat captures the quiet yet powerful reflections of motherhood and the influences of her own upbringing, the album, born from spontaneous, home-recorded sessions, presents a simplicity that allows each note to breathe. Marling, embracing minimalism, opts for delicate arrangements, leaving her voice at the forefront. There’s a sense of both intimacy and vulnerability, with each song a raw exploration of emotional depth, the lo-fi production, created in just a handful of takes, mirrors the authenticity of the themes, as if inviting listeners into a private moment. Balancing nostalgia with the present, Patterns In Repeat offers a heartfelt, personal narrative that resonates long after the music fades.
john grant – the art of the lie
John Grant’s The Art of the Lie unfolds like a fever dream, where funk rhythms meet stark confessions in a dance of contradiction. From the opening notes, a haunting blend of lush synths and gritty talk-box vocals sweep you into a world where euphoric highs are never far from their darker, more brittle counterparts. Grant’s broad vocal range takes centre stage, effortlessly soaring through melodies that pulse with melancholy, only to plunge into the depths of razor-sharp, sardonic wit, tangled between self-acceptance and disillusionment, often drawing on the personal pain of his own past while inviting us to reflect on the universal nature of longing. The Art of the Lie is a sonic exploration of duality—where vulnerability and swagger, joy and sorrow, dance together on the edge of revelation.
soft play – heavy jelly
Heavy Jelly erupts like a storm, an album that simultaneously thrashes and introspects with a ferocity that’s impossible to ignore, from the opening chords of Punk’s Dead, the listener is thrust into a world of frenzied riffs and frantic energy, as if the sound itself is clawing its way out of the speakers. It’s raw, untamed, and unapologetic, each track a clenched fist of defiance, but there’s more beneath the surface. Act Violently sharpens its aggression into something almost menacing, as though the song is daring you to keep up with its relentless pace, yet, just when the chaos feels overwhelming, the album pivots, Everything And Nothing drips with a mournful introspection, its haunting melodies a stark contrast to the previous barrage of sound, grounding the album in a delicate yet emotionally charged moment. Heavy Jelly dances on the razor’s edge of turmoil and reflection, a volatile journey that never settles for easy answers.
the jesus lizard – rack
The Jesus Lizard’s return after a 26-year hiatus feels less like a reunion and more like a force of nature—a storm tearing through the quiet of complacency with the reckless abandon of a megaton explosion. This is noise, not music; a jagged, molten cascade of fury that dares you to catch your breath, every riff slashes through the air like a knife through silk, while the drums pummel with the relentlessness of a heartbeat that won’t stop, no matter how badly you want it to. The visceral, gut-wrenching intensity is as raw as the band’s earliest days, yet it has been honed with years of experience—like a savage animal, scarred and older, but no less dangerous. Their power remains undiminished, transcending time and age with the ferocity of a tidal wave that doesn’t care whether you’re ready or not. The Jesus Lizard are back, and they are just as unpredictable, dangerous, and essential as ever.
floating points – cascade
After a 16 year album hiatus, the cure resurface with Songs of a Lost World, and as expected, its an album steeped in darkness and introspection. A journey through themes of loss and mortality, where Robert Smith’s haunting lyrics echo over intricate, atmospheric soundscapes that feel almost cinematic in scope. Tracks like Alone pull listeners into a moody, shadowed space that recalls the band’s early gothic style, while subtle, modern touches add a fresh edge. with each song feeling like a chapter in an epic poem, sombre reflections meet lush instrumental layers, this release doesn’t merely revisit the cure’s past but demonstrates an evolution that is as stirring as it is timeless. Songs of a Lost World emerges as a poignant and immersive experience that beckons listeners to lose themselves in its melancholy beauty.
tears for fears – songs for a nervous world
Curt Smith and Roland Orzabal bring their legacy to life with a dynamic live collection recorded during their recent Tipping Point world tour. This album highlights their impressive career, delivering an electrifying set list that spans decades, fans can relive the duo’s ‘imperial phase’ with iconic hits from The Hurting, Songs From The Big Chair, and The Seeds of Love, as well as newer fan-favourites that capture the evolution of their sound. As a special treat, the release also includes four brand new studio tracks that expand the band’s repertoire, most notably the powerful anthem The Girl That I Call Home. Together, the live performances and fresh material paint a vivid portrait of a band both reverent of their past and boldly moving forward, offering listeners both nostalgia and anticipation in one remarkable album.
mount kimbie – the sunset violent
sophie – sophie
“I want to dance to SOPHIE” said Charli XCX on Club Classics—and this posthumous release from the visionary electronic artist grants that wish in an album that’s as moving as it is exhilarating, left incomplete at SOPHIE’s tragic passing in 2021, the album was lovingly finished by her brother and longtime collaborator Benny Long, creating a testament to her unparalleled creativity. Featuring artists from SOPHIE’s close circle, the record weaves pop, ambient, and techno into a textured soundscape that’s distinctively avant-garde yet thoroughly inviting. It’s a celebration of life and artistry, a vibrant, unpredictable odyssey through SOPHIE’s world, where listeners are invited to dance, cry, and revel in a sonic experience that’s both raw and euphoric.
charli xcx – brat
With a certain je ne sais quoi, this summer has seen charli xcx’s meteoric rise as she transforms the foundations of her hyperpop sound into a force of its own. Aggressive yet layered with virtuosic, achingly vulnerable lyrics, her music blends the raw energy of club classics with something unmistakably iconic, Brat captures that blend, celebrating what remains after everything else fades—a distilled, crystalised core of brilliance. With a playful audacity, charli has taken her sound worldwide, bringing her signature fusion of attitude and artistry to new heights. This release feels like an unapologetic victory lap, showcasing the power, wit, and wild spirit that have come to define charli’s undeniable influence on the pop landscape.
jamie xx – in waves
Jamie xx’s first release since 2015s In Colour is a beautifully crafted exploration of sonic landscapes, blending deep house, minimalist beats, and richly layered samples to create an immersive experience. Opening with a soft, rhythmic pull, the album gradually builds in intensity, revealing a vibrant emotions that blur the lines between electronic precision and organic warmth. unfurling intimate journey, inviting listeners to lose themselves in the shifting atmospheres Jamie so expertly creates. And for longtime xx fans, there’s an added treat: Waited All Night brings the trio back together in stunning form, adding a nostalgic yet fresh dynamic to the mix. in waves is a cohesive, emotive journey that reaffirms Jamie xx as a master of modern electronic sound, blending intimacy with innovation in a way few can achieve.
the the – ensoulment
arab strap – I’m Totally Fine With It, Don’t Give a Fuck Anymore
I’m Totally Fine With It, Don’t Give a Fuck Anymore sees Arab Strap embracing a raw, unapologetic sound that pairs their wry, dark humour with potent social commentary. The album navigates the depths of modern despair—conspiracy theories, internet addiction, and the disillusionment of contemporary life—while keeping listeners hooked with its blend of alt-pop beats and sharp, biting wit. It’s a record that pulses with a sense of recklessness, yet still leaves room for moments of tenderness. Amidst the frenetic energy and dark themes, Arab Strap deliver an experience that is, paradoxically, both cathartic and celebratory. Fans of the brutal honesty of Fontaines D.C. or the confrontational spirit of Sleaford Mods will find themselves at home here. This album is a reflection of a world teetering on the edge, and Arab Strap’s most defiant statement yet.
pixies – the night the zombies came
kim deal – nobody loves you more
goat – goat
Liam Gallagher & John Squire – Liam Gallagher John Squire
public service broadcasting – the last flight
The Last Flight by Public Service Broadcasting is a captivating tribute to the pioneering spirit of aviation, intertwining historical recordings with lush, atmospheric soundscapes. The album’s heart-wrenching retelling of Amelia Earhart’s final, doomed journey feels as much like a reverent memorial as it does an artistic exploration of human ambition and vulnerability. Wistful melodies glide through spoken word fragments, conjuring a haunting dance between the past and present, this is not just an album about aviation; it’s an evocative meditation on risk, loss, and the deep yearning to reach the unreachable. Each note soars, echoing with the ghosts of those who dared to fly.
primal scream – come ahead
Primal Scream’s Come Ahead is a dazzling collision of sounds, fusing the band’s diverse influences into an electrifying whole, with rock, dance, and psychedelia colliding effortlessly, the album pulses with the band’s trademark energy and adventurous spirit. Come Ahead marks the band’s 12th studio album, brimming with raw, personal lyrics penned by frontman Bobby Gillespie. songwriting began in 2019, when Gillespie was uncertain about making another Primal Scream album, and for the first time, lyrics took precedence over music, with Gillespie writing alone on acoustic guitar in bursts of inspiration. Producer David Holmes, along with guitarist Andrew Innes, encouraged this new approach, guiding the sessions across Belfast, London, and Los Angeles. The result is an album that feels intimate and bold, a testament to Gillespie’s willingness to open up, both lyrically and creatively, as he shapes one of the most personal records in the band’s career.
sabrina carpenter – short n’ sweet
peggy gou – i hear you
a significant milestone in the Korean-born artist’s career, and a ten-track journey, the album blends deep house grooves with lush synths, capturing the unique energy that has made her an icon in the electronic music world. Featuring singles like the chart-topping global hit (It Goes Like) Nanana and her collaboration with Lenny Kravitz, I Believe in Love Again, I Hear You sees Gou evolve as an artist, boldly stepping into the next level of her sound. It’s a powerful reflection of Gou’s unwavering vision and passion, cementing her place as one of the most in-demand DJs and producers worldwide.
thee sacred souls – got a story to tell
david gilmour – luck and strange
The 5th solo outing from David Gilmour is very much a family project, with lyrics written by his wife, the author Polly Samson, who has contributed lyrics to all his solo work as well as the last two Floyd albums. Additionally, their youngest daughter, Romany, adds vocals to two tracks. The influence of co-producer Charlie Andrew proved pivotal in coaxing a great album from Gilmour. Arguably, Floyd’s finest moments came from the friction between Gilmour and Waters, but with Charlie Andrew, Gilmour has found a voice to challenge the typical guitar solo and lengthy fade-out. Luck & Strange isn’t without these elements, but it offers much more. Harp skips over the album, strings and choirs lift it, and swampy blues chug beneath Gilmour’s signature solos. While much of the album looks back — often recalling a childhood in the 20th century and expressing hope that those golden times aren’t gone forever — Gilmour sounds at peace, still with something to say at this stage in his life.
katy j pearson – someday , now
Taylor Swift is not slowing down! In February 2024, just 11 months into her monumental Eras Tour, she shocked even the most dedicated Swifties by announcing her 11th studio album. With 13 Grammys under her belt (out of 14 nominations), Swift dives deep into raw emotion across 16 tracks, delivering a musical journey that’s both intimate and expansive. Once again collaborating with Aaron Dessner and Jack Antonoff, So Long, London and loml evoke heartache, while songs like But Daddy I Love Him and The Smallest Man Who Ever Lived capture fury in its purest form. Tracks like The Alchemy and I Can Do It With A Broken Heart shine with hope, triumph, and resilience. Swift’s ability to turn pain into pop is unmatched, creating an album that resonates with universal emotions, whether or not you’re a diehard fan. As she wraps up her Eras Tour in December, fans are left wondering what new surprises the future holds for this unstoppable force of music.
ride – interplay